Karen Sztajnberg – Medium

Karen Sztajnberg

Karen Sztajnberg

Seven Years in May(2019)

This entry is going to focus on catalog descriptions for Affonso Uchôa’s Seven Years in May. Given the role that these synopses have in…

4 min readSep 20, 2021

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Seven Years in May(2019)

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Karen Sztajnberg

Ema(2019)

In his song A Luz de Tieta, Brazilian singer Caetano Veloso states that whoever takes the most pleasure, and is therefore punished the…

5 min readJul 29, 2021

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Ema(2019)

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Karen Sztajnberg

New Order(2021)

New Order’s patron saint just might be the zombie movie: the undead come back to haunt the living, there is no escaping their destruction…

8 min readMay 30, 2021

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New Order(2021)

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Karen Sztajnberg

End of the Century(2019)

End of the Century (2019)

7 min readMay 24, 2021

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End of the Century(2019)

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Karen Sztajnberg

Ecstasy (2020)

The mission of this blog is to spot missing links between the reviews of Latin American films and their textual body. In order to speak of…

7 min readApr 5, 2021

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Ecstasy (2020)

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Karen Sztajnberg

Castanha(2014)

In one of these turn of events that life gives us, I walked into a restaurant in Porto, Portugal, drawn by an almond torte, then me and my…

5 min readMar 14, 2021

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Castanha(2014)

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Karen Sztajnberg

Amat Escalante’s La Region Selvaje (2017)

As far as body-horror goes, this one has the quiet merit of embedding this story in a very ordinary human petri dish, an unassuming…

6 min readFeb 26, 2021

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Amat Escalante’s La Region Selvaje (2017)

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Karen Sztajnberg

Karen Sztajnberg

As part of my research in transnational reception this blog will focus on Anglocentric mainstream reviews misapprehend or overlook about Latin American cinema.

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