Karen Sztajnberg – Medium

Karen Sztajnberg

Seven Years in May(2019)

This entry is going to focus on catalog descriptions for Affonso Uchôa’s Seven Years in May. Given the role that these synopses have in…

Sep 20, 2021

Seven Years in May(2019)

Sep 20, 2021

Ema(2019)

In his song A Luz de Tieta, Brazilian singer Caetano Veloso states that whoever takes the most pleasure, and is therefore punished the…

Jul 29, 2021

Ema(2019)

Jul 29, 2021

New Order(2021)

New Order’s patron saint just might be the zombie movie: the undead come back to haunt the living, there is no escaping their destruction…

May 30, 2021

New Order(2021)

May 30, 2021

End of the Century(2019)

End of the Century (2019)

May 24, 2021

End of the Century(2019)

May 24, 2021

Ecstasy (2020)

The mission of this blog is to spot missing links between the reviews of Latin American films and their textual body. In order to speak of…

Apr 5, 2021

Ecstasy (2020)

Apr 5, 2021

Castanha(2014)

In one of these turn of events that life gives us, I walked into a restaurant in Porto, Portugal, drawn by an almond torte, then me and my…

Mar 14, 2021

Castanha(2014)

Mar 14, 2021

Amat Escalante’s La Region Selvaje (2017)

As far as body-horror goes, this one has the quiet merit of embedding this story in a very ordinary human petri dish, an unassuming…

Feb 26, 2021

Amat Escalante’s La Region Selvaje (2017)

Feb 26, 2021

Karen Sztajnberg

Karen Sztajnberg

As part of my research in transnational reception this blog will focus on Anglocentric mainstream reviews misapprehend or overlook about Latin American cinema.

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